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I see you~


sylladexter:

magicastuck:

Full Size: Jade | Rose | Dave | John | Vriska

Separate pictures from the new sidebar!
Hope you enjoy. <3

~Cyclic

So yeah, this was a thing that happened. I meant to reblog this last night, but it was late and I had to go to bed aaaaa.


Crossdressing Pageant
Kanji Tatsumi → Kou Ichijo → Daisuke Nagase → Yosuke Hanamura → Seta Souji / Yu Narukami


detention:

im following back tons and promoting today!

loliconprince:

dont feel bad friends ill comfort u

 /フフ         ム`ヽ
 / ノ)   ∧∧     ) ヽ
/ |  (´・ω・`)ノ⌒(ゝ._,ノ
/ ノ⌒7⌒ヽーく  \ /
丶_ ノ 。   ノ、 。|/
   `ヽ `ー-‘_人`ーノ
    丶  ̄ _人’彡ノ
   /`ヽ _/ 十∨



googlebus:

honestly I think in general if someone punched me in the face I’d be too tired to respond 





No more dreaming of the dead as if death itself was undone
No more calling like a crow for a boy, for a body in the garden
No more dreaming like a girl so in love with the wrong world

x/x/x/x/x/x/x/x/x


sonuvabitch


caledscratch:

Now you wonder why he does it, how he does it?
Wasn’t cause he had buzzards circling around his head
waiting for him to drop dead, was it?
Or was it cause some bitches wrote him off? 
Fuck it, guess it doesn’t matter now, does it?

n o p e


archiemcphee:

For an art installation entitled Ballroom Luminoso, artists Joe O’Connell and Blessing Hancock created and hung six awesome chandeliers from a concrete underpass in San Antonio, Texas. The chandeliers were custom-made using structural steel, recycled bicycle parts, and custom LEDs that project a field of silhouettes of sprockets, gears, and other shapes onto the blank slate of an otherwise unremarkable industrial surface.

From the artist’s statement about the project:

Ballroom Luminoso references the area’s past, present, and future in the design of its intricately detailed medallions. The images in the medallions draw on the community’s agricultural history, strong Hispanic heritage, and burgeoning environmental movement. The medallions are a play on the iconography of La Loteria, which has become a touchstone of Hispanic culture. Utilizing traditional tropes like La Escalera (the Ladder), La Rosa (the Rose), and La Sandía (the Watermelon), the piece alludes to the neighborhood’s farming roots and horticultural achievements. Each character playfully rides a bike acting as a metaphor for the neighborhood’s environmental progress, its concurrent eco-restoration projects, and its developing cycling culture.”

[via Colossal]



Hello~` Natalia "Kasztan"/"Nutt" here` I'm a stupid girl, who ship almost everything. I like KHR, Homestuck, Hetalia and other hings`
Just call me Nutt, Chestnutt or Kasztan
Oh, I mostly reblog others stuff =w=
.............................................
my dA page ==> natirozu-beta.deviantart.com





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